

I Heard It's A Mess There Too
For Aesop Rock, the phrase āI heard itās a mess there tooā started out as a lyric, but it didnāt take long for that line to get its hooks into him. It felt familiar, like a line heād said a thousand times in recent years while checking in with friends across different cities, swapping stories about where each other are, and whatās going on there. The more he sat with the phrase, the more it started to feel like the center of something bigger. I Heard Itās A Mess There Too lives at the intersection of two personal urges for Aesop: the need to venture out and document your surroundings, and the desire to stay connectedāespecially when things feel uncertain.
Musically, Aesop Rock explores some new territory on the album. āIād been building tracks the same way for many years,ā he says, ābut I made a conscious shift in my process here. I tried out some new tools and attempted to make my beats cleaner, more minimal. The drums are more stripped back, the bass lines are allowed to just sit, without layering ten things on top. I didnāt want the beat and the vocals competing for attentionāI just wanted enough to get a wave rolling and not much more, just setting a mood I could move to.ā These twelve songs mark different stops along that path of tinkering and looking for something new.
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For Aesop Rock, the phrase āI heard itās a mess there tooā started out as a lyric, but it didnāt take long for that line to get its hooks into him. It felt familiar, like a line heād said a thousand times in recent years while checking in with friends across different cities, swapping stories about where each other are, and whatās going on there. The more he sat with the phrase, the more it started to feel like the center of something bigger. I Heard Itās A Mess There Too lives at the intersection of two personal urges for Aesop: the need to venture out and document your surroundings, and the desire to stay connectedāespecially when things feel uncertain.
Musically, Aesop Rock explores some new territory on the album. āIād been building tracks the same way for many years,ā he says, ābut I made a conscious shift in my process here. I tried out some new tools and attempted to make my beats cleaner, more minimal. The drums are more stripped back, the bass lines are allowed to just sit, without layering ten things on top. I didnāt want the beat and the vocals competing for attentionāI just wanted enough to get a wave rolling and not much more, just setting a mood I could move to.ā These twelve songs mark different stops along that path of tinkering and looking for something new.

















