
Feminine Divine, The
Dexys are back! 11 years since the release of their last album of original music, the acclaimed One Day I'm Going to Soar, the band return with a stunning new record, The Feminine Divine, out July 28th on 100% Records.
The Feminine Divineâs arrival is heralded by todayâs release of the glorious first single âIâm Going To Get Freeâ, soaked in horns and with a heavy dance-hall feel. "The character is optimistically breaking free from internalised trauma, depression and guilt," Kevin Rowland said of the track.
The Feminine Divine is Dexysâ fifth album of original material produced once again by Pete Schwier, along with acclaimed session musician and producer Toby Chapman. After taking some time out to refocus his energy, Kevin Rowland came back to music with a fresh perspective and new-found positivity. A personal, if not strictly autobiographical, record portraying a man whose views have evolved over time. Not just on women, but the whole concept of masculinity he had been raised with: an education and an un-learning that is traced across the arc of The Feminine Divine with dizzying effect.
With two tracks on the album with Goddess in the title in âMy Goddess Isâ and âGoddess Rulesâ, itâs no surprise Kevin chose to use a painting inspired by Pele, the Hawaiian goddess of fire and volcanoes, for the artwork.
Dipping into the archives for a song heâd originally written in 1991, the albumâs opener, âThe One That Loves Youâ, is a tough-guy feint before he lifts the curtain on âwhat I really feelâ, as announced by a classic bit of Kevin spoken word that leads into the second track, âItâs Alright Kevin (Manhood 2023)â.
The recordâs first half is full of music hall-esque swagger, much of it written with original Dexysâ trombonist Big Jim Paterson. The second side of the record is like nothing Dexys have done before. A saucy, synth-heavy cabaret, written in collaboration with Sean Read and Mike Timothy. Itâs steamy, fizzing and sultry, at times doom-laden and heavy and at other times raunchy and funky. Quite a heady mix.
Today the band is more of an âorganicâ assemblage â Kevin, Jim (a non-touring band member), Sean Read and Mike Timothy. âItâs always just natural with me,â says Kevin. âThe inspiration comes first, I think about what I can do, what songs Iâve got, then approach the band.â He describes their current lineup as âvery much the nucleus, these days.â
With over a billion worldwide streams, three top 10 albums in the UK, two number 1 singles, a Brit Award and a multi-platinum selling album with their sophomore release Too-Rye-Ay (as Dexys Midnight Runners), Dexys are as vital and exciting today as ever. With live shows set to be announced shortly in support of the record, The Feminine Divine marks a new chapter in a book that just keeps getting better and better.
 âIâve been doing this a long time,â says Kevin. âBut I feel Iâve got to it now.â
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Dexys are back! 11 years since the release of their last album of original music, the acclaimed One Day I'm Going to Soar, the band return with a stunning new record, The Feminine Divine, out July 28th on 100% Records.
The Feminine Divineâs arrival is heralded by todayâs release of the glorious first single âIâm Going To Get Freeâ, soaked in horns and with a heavy dance-hall feel. "The character is optimistically breaking free from internalised trauma, depression and guilt," Kevin Rowland said of the track.
The Feminine Divine is Dexysâ fifth album of original material produced once again by Pete Schwier, along with acclaimed session musician and producer Toby Chapman. After taking some time out to refocus his energy, Kevin Rowland came back to music with a fresh perspective and new-found positivity. A personal, if not strictly autobiographical, record portraying a man whose views have evolved over time. Not just on women, but the whole concept of masculinity he had been raised with: an education and an un-learning that is traced across the arc of The Feminine Divine with dizzying effect.
With two tracks on the album with Goddess in the title in âMy Goddess Isâ and âGoddess Rulesâ, itâs no surprise Kevin chose to use a painting inspired by Pele, the Hawaiian goddess of fire and volcanoes, for the artwork.
Dipping into the archives for a song heâd originally written in 1991, the albumâs opener, âThe One That Loves Youâ, is a tough-guy feint before he lifts the curtain on âwhat I really feelâ, as announced by a classic bit of Kevin spoken word that leads into the second track, âItâs Alright Kevin (Manhood 2023)â.
The recordâs first half is full of music hall-esque swagger, much of it written with original Dexysâ trombonist Big Jim Paterson. The second side of the record is like nothing Dexys have done before. A saucy, synth-heavy cabaret, written in collaboration with Sean Read and Mike Timothy. Itâs steamy, fizzing and sultry, at times doom-laden and heavy and at other times raunchy and funky. Quite a heady mix.
Today the band is more of an âorganicâ assemblage â Kevin, Jim (a non-touring band member), Sean Read and Mike Timothy. âItâs always just natural with me,â says Kevin. âThe inspiration comes first, I think about what I can do, what songs Iâve got, then approach the band.â He describes their current lineup as âvery much the nucleus, these days.â
With over a billion worldwide streams, three top 10 albums in the UK, two number 1 singles, a Brit Award and a multi-platinum selling album with their sophomore release Too-Rye-Ay (as Dexys Midnight Runners), Dexys are as vital and exciting today as ever. With live shows set to be announced shortly in support of the record, The Feminine Divine marks a new chapter in a book that just keeps getting better and better.
 âIâve been doing this a long time,â says Kevin. âBut I feel Iâve got to it now.â
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