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Bitches Blues
Hedvig Mollestad Thomassen â guitar. StĂ„le StorlĂžkken â organ and synth. Ole Mofjell â drums. âWeejuns is all about interplay,â explains Mollestad, a former Young Jazz Talent of the Year and Artist in Residence in her native Norway. âBitches Blues consists of six instrumental tracks, or stretches of music, with an extreme range of dynamics. Some are based around hefty beats, while other tracks are far more lyrical and rubato. It ranges from riff-based rock-ish stuff, to loud chaos, to melancholy ballads and even totally free improvisations.â Taking a cultured yet refreshingly instinctive approach to intertwining instruments and influences, Bitches Blues (a wry play on Miles Davis album Bitches Brew) veers unpredictably from slow and soft, distinctly sectioned songs with disciplined chord progressions to explosive eruptions of cathartic and complex structures. Weejuns (a slang abbreviation of âNorwegiansâ) introduced themselves in 2023 with a self-titled double live album. Originally assembled by Mollestad for the Kongsberg Jazz Festival, where sheâd been awarded the prestigious Musicians Prize, Weejunsâ collective chemistry has proven enduring and alluring, in part as a foil to the Hedvig Mollestad Trioâs heaviest album to date, 2025âs Bees in the Bonnet.
A graduate of the Norwegian Academy of Music, Mollestad has released eight acclaimed albums with her eponymous Trio, toured across Europe and North America, and performed with the likes of Nels Cline, Colin Stetson, Ingrid Laubrock, Trevor Dunn, and Shahzad Ismaily. The signature of her 15-year career has been fusing serious chops with an overt focus on finding fun in sound. For years, Mollestad obsessed over music and little else. The daughter of a jazz musician, she lost herself in his record collection, studying classic works by Miles Davis, Charlie Parker, Joe Pass and Jim Hall before discovering riff-raging titans like Led Zeppelin, Black Sabbath and Mahavishnu Orchestra in her 20s. This led to the formation of Hedvig Mollestad Trio, whose relentless recording and touring schedule since the early â10s have earned the guitarist a stream of accolades, including two Norwegian Grammys (Spellemannprisen) and DownBeat magazine naming her one of the 25 artists who âcould shape jazz for decadesâ in November of 2020.
StĂ„le StorlĂžkken is a founder and long serving member of Supersilent and Elephant9, has served as Terje RypdalÂŽs âright handâ since the mid 90s, and collaborated with Motorpsycho on record and on stage... as well as countless others. Ole Mofjell is the youngest member, active with Krokofant, Signe Emmeluthâs Amoeba and his own free jazz trio 3 Days Of Maceration.
A graduate of the Norwegian Academy of Music, Mollestad has released eight acclaimed albums with her eponymous Trio, toured across Europe and North America, and performed with the likes of Nels Cline, Colin Stetson, Ingrid Laubrock, Trevor Dunn, and Shahzad Ismaily. The signature of her 15-year career has been fusing serious chops with an overt focus on finding fun in sound. For years, Mollestad obsessed over music and little else. The daughter of a jazz musician, she lost herself in his record collection, studying classic works by Miles Davis, Charlie Parker, Joe Pass and Jim Hall before discovering riff-raging titans like Led Zeppelin, Black Sabbath and Mahavishnu Orchestra in her 20s. This led to the formation of Hedvig Mollestad Trio, whose relentless recording and touring schedule since the early â10s have earned the guitarist a stream of accolades, including two Norwegian Grammys (Spellemannprisen) and DownBeat magazine naming her one of the 25 artists who âcould shape jazz for decadesâ in November of 2020.
StĂ„le StorlĂžkken is a founder and long serving member of Supersilent and Elephant9, has served as Terje RypdalÂŽs âright handâ since the mid 90s, and collaborated with Motorpsycho on record and on stage... as well as countless others. Ole Mofjell is the youngest member, active with Krokofant, Signe Emmeluthâs Amoeba and his own free jazz trio 3 Days Of Maceration.
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Hedvig Mollestad Thomassen â guitar. StĂ„le StorlĂžkken â organ and synth. Ole Mofjell â drums. âWeejuns is all about interplay,â explains Mollestad, a former Young Jazz Talent of the Year and Artist in Residence in her native Norway. âBitches Blues consists of six instrumental tracks, or stretches of music, with an extreme range of dynamics. Some are based around hefty beats, while other tracks are far more lyrical and rubato. It ranges from riff-based rock-ish stuff, to loud chaos, to melancholy ballads and even totally free improvisations.â Taking a cultured yet refreshingly instinctive approach to intertwining instruments and influences, Bitches Blues (a wry play on Miles Davis album Bitches Brew) veers unpredictably from slow and soft, distinctly sectioned songs with disciplined chord progressions to explosive eruptions of cathartic and complex structures. Weejuns (a slang abbreviation of âNorwegiansâ) introduced themselves in 2023 with a self-titled double live album. Originally assembled by Mollestad for the Kongsberg Jazz Festival, where sheâd been awarded the prestigious Musicians Prize, Weejunsâ collective chemistry has proven enduring and alluring, in part as a foil to the Hedvig Mollestad Trioâs heaviest album to date, 2025âs Bees in the Bonnet.
A graduate of the Norwegian Academy of Music, Mollestad has released eight acclaimed albums with her eponymous Trio, toured across Europe and North America, and performed with the likes of Nels Cline, Colin Stetson, Ingrid Laubrock, Trevor Dunn, and Shahzad Ismaily. The signature of her 15-year career has been fusing serious chops with an overt focus on finding fun in sound. For years, Mollestad obsessed over music and little else. The daughter of a jazz musician, she lost herself in his record collection, studying classic works by Miles Davis, Charlie Parker, Joe Pass and Jim Hall before discovering riff-raging titans like Led Zeppelin, Black Sabbath and Mahavishnu Orchestra in her 20s. This led to the formation of Hedvig Mollestad Trio, whose relentless recording and touring schedule since the early â10s have earned the guitarist a stream of accolades, including two Norwegian Grammys (Spellemannprisen) and DownBeat magazine naming her one of the 25 artists who âcould shape jazz for decadesâ in November of 2020.
StĂ„le StorlĂžkken is a founder and long serving member of Supersilent and Elephant9, has served as Terje RypdalÂŽs âright handâ since the mid 90s, and collaborated with Motorpsycho on record and on stage... as well as countless others. Ole Mofjell is the youngest member, active with Krokofant, Signe Emmeluthâs Amoeba and his own free jazz trio 3 Days Of Maceration.
A graduate of the Norwegian Academy of Music, Mollestad has released eight acclaimed albums with her eponymous Trio, toured across Europe and North America, and performed with the likes of Nels Cline, Colin Stetson, Ingrid Laubrock, Trevor Dunn, and Shahzad Ismaily. The signature of her 15-year career has been fusing serious chops with an overt focus on finding fun in sound. For years, Mollestad obsessed over music and little else. The daughter of a jazz musician, she lost herself in his record collection, studying classic works by Miles Davis, Charlie Parker, Joe Pass and Jim Hall before discovering riff-raging titans like Led Zeppelin, Black Sabbath and Mahavishnu Orchestra in her 20s. This led to the formation of Hedvig Mollestad Trio, whose relentless recording and touring schedule since the early â10s have earned the guitarist a stream of accolades, including two Norwegian Grammys (Spellemannprisen) and DownBeat magazine naming her one of the 25 artists who âcould shape jazz for decadesâ in November of 2020.
StĂ„le StorlĂžkken is a founder and long serving member of Supersilent and Elephant9, has served as Terje RypdalÂŽs âright handâ since the mid 90s, and collaborated with Motorpsycho on record and on stage... as well as countless others. Ole Mofjell is the youngest member, active with Krokofant, Signe Emmeluthâs Amoeba and his own free jazz trio 3 Days Of Maceration.

















