
Never Had To Leave
One of his generationās most fearless singer/songwriters, Matt Maeson has endlessly proven the powerful impact of fully revealing his demons and damage. With the arrival of 2019ās Bank On A Funeral, the 29-year-old Virginia native made history as the first male solo artist to earn two #1 Alternative Radio hits from a debut album, thanks to the smash success of the unforgettably confessional singles āHallucinogenicsā and āCringeā (both of which went platinum).
Mainly produced by his long-time collaborator James Flannigan (MARINA, Broods), Never Had To Leave came to life in a series of free-flowing, highly experimental sessions in Nashville, Los Angeles, and Maesonās former homebase of Austin. For help in shaping the albumās chameleonic and combustible sound, Maeson enlisted musician-friends like drummer Rob Humphreys (Karen O, Jacob Banks) and guitarist Brennan Smiley of The Technicolors, ultimately arriving at a frenetic collision of rock-and-roll and folk and irresistibly gritty pop.
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One of his generationās most fearless singer/songwriters, Matt Maeson has endlessly proven the powerful impact of fully revealing his demons and damage. With the arrival of 2019ās Bank On A Funeral, the 29-year-old Virginia native made history as the first male solo artist to earn two #1 Alternative Radio hits from a debut album, thanks to the smash success of the unforgettably confessional singles āHallucinogenicsā and āCringeā (both of which went platinum).
Mainly produced by his long-time collaborator James Flannigan (MARINA, Broods), Never Had To Leave came to life in a series of free-flowing, highly experimental sessions in Nashville, Los Angeles, and Maesonās former homebase of Austin. For help in shaping the albumās chameleonic and combustible sound, Maeson enlisted musician-friends like drummer Rob Humphreys (Karen O, Jacob Banks) and guitarist Brennan Smiley of The Technicolors, ultimately arriving at a frenetic collision of rock-and-roll and folk and irresistibly gritty pop.
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