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Laundromat
As Pickle Darling, Christchurch, New Zealand-based producer and multi-instrumentalist Lukas Mayo (they/them) zooms in on the universality of existential thought with earnest playfulness.
After years of touring on previous albums, Bigness (2019, Z Tapes) and Cosmonaut (2021, Z Tapes) and supporting artists like Lucy Dacus and The Beths, Pickle Darling's third album, Laundromat, marks their debut with Father/Daughter Records. Laundromat finds magic in the mundane, pointing past perfectionism and instead leans into the art of the everyday. Art is everywhere: in the shape we make out of a napkin while waiting for our co"ee to arrive, in the text we send to a friend in need, in the beat we make on the steering wheel while stuck at a red light.
Laundromat was created in what Mayo describes as their first stable living situation, away from di#cult $atmates, tense surroundings, and abysmal landlords. As an artist who writes, records, and produces all of their music at home, the security of their current place allowed their ideas to
blossom. Writing soon became a daily practice, and rather than laboring over each song like they had previouslyââsome songs on previous records were months and months in the makingââMayo found themselves drawn to the spark of what had created the initial idea in the first place.
Mayo highlights folk artists Connie Converse, Bill Fay, and Vashti Bunyan as passengers in the process of Laundromat; artists who put music into the world then disappeared from the public eye. âI wanted to capture the feeling of making music that's out of step with everything around it,â they explain. âI wanted it to be a lot more immediate.â Mayo recorded a lot of Laundromatâs ideas
onto their phone, giving themselves permission to allow those ideas to be the entire song. The enforced length of what a song should beââa neat, 3-minute sellable productââhas always bothered Mayo, and while some of the songs on Laundromat do it around that particular mold, Pickle Darling says the smaller pockets on the album were them striving to create their âown kind of normal.â
After years of touring on previous albums, Bigness (2019, Z Tapes) and Cosmonaut (2021, Z Tapes) and supporting artists like Lucy Dacus and The Beths, Pickle Darling's third album, Laundromat, marks their debut with Father/Daughter Records. Laundromat finds magic in the mundane, pointing past perfectionism and instead leans into the art of the everyday. Art is everywhere: in the shape we make out of a napkin while waiting for our co"ee to arrive, in the text we send to a friend in need, in the beat we make on the steering wheel while stuck at a red light.
Laundromat was created in what Mayo describes as their first stable living situation, away from di#cult $atmates, tense surroundings, and abysmal landlords. As an artist who writes, records, and produces all of their music at home, the security of their current place allowed their ideas to
blossom. Writing soon became a daily practice, and rather than laboring over each song like they had previouslyââsome songs on previous records were months and months in the makingââMayo found themselves drawn to the spark of what had created the initial idea in the first place.
Mayo highlights folk artists Connie Converse, Bill Fay, and Vashti Bunyan as passengers in the process of Laundromat; artists who put music into the world then disappeared from the public eye. âI wanted to capture the feeling of making music that's out of step with everything around it,â they explain. âI wanted it to be a lot more immediate.â Mayo recorded a lot of Laundromatâs ideas
onto their phone, giving themselves permission to allow those ideas to be the entire song. The enforced length of what a song should beââa neat, 3-minute sellable productââhas always bothered Mayo, and while some of the songs on Laundromat do it around that particular mold, Pickle Darling says the smaller pockets on the album were them striving to create their âown kind of normal.â
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Description
As Pickle Darling, Christchurch, New Zealand-based producer and multi-instrumentalist Lukas Mayo (they/them) zooms in on the universality of existential thought with earnest playfulness.
After years of touring on previous albums, Bigness (2019, Z Tapes) and Cosmonaut (2021, Z Tapes) and supporting artists like Lucy Dacus and The Beths, Pickle Darling's third album, Laundromat, marks their debut with Father/Daughter Records. Laundromat finds magic in the mundane, pointing past perfectionism and instead leans into the art of the everyday. Art is everywhere: in the shape we make out of a napkin while waiting for our co"ee to arrive, in the text we send to a friend in need, in the beat we make on the steering wheel while stuck at a red light.
Laundromat was created in what Mayo describes as their first stable living situation, away from di#cult $atmates, tense surroundings, and abysmal landlords. As an artist who writes, records, and produces all of their music at home, the security of their current place allowed their ideas to
blossom. Writing soon became a daily practice, and rather than laboring over each song like they had previouslyââsome songs on previous records were months and months in the makingââMayo found themselves drawn to the spark of what had created the initial idea in the first place.
Mayo highlights folk artists Connie Converse, Bill Fay, and Vashti Bunyan as passengers in the process of Laundromat; artists who put music into the world then disappeared from the public eye. âI wanted to capture the feeling of making music that's out of step with everything around it,â they explain. âI wanted it to be a lot more immediate.â Mayo recorded a lot of Laundromatâs ideas
onto their phone, giving themselves permission to allow those ideas to be the entire song. The enforced length of what a song should beââa neat, 3-minute sellable productââhas always bothered Mayo, and while some of the songs on Laundromat do it around that particular mold, Pickle Darling says the smaller pockets on the album were them striving to create their âown kind of normal.â
After years of touring on previous albums, Bigness (2019, Z Tapes) and Cosmonaut (2021, Z Tapes) and supporting artists like Lucy Dacus and The Beths, Pickle Darling's third album, Laundromat, marks their debut with Father/Daughter Records. Laundromat finds magic in the mundane, pointing past perfectionism and instead leans into the art of the everyday. Art is everywhere: in the shape we make out of a napkin while waiting for our co"ee to arrive, in the text we send to a friend in need, in the beat we make on the steering wheel while stuck at a red light.
Laundromat was created in what Mayo describes as their first stable living situation, away from di#cult $atmates, tense surroundings, and abysmal landlords. As an artist who writes, records, and produces all of their music at home, the security of their current place allowed their ideas to
blossom. Writing soon became a daily practice, and rather than laboring over each song like they had previouslyââsome songs on previous records were months and months in the makingââMayo found themselves drawn to the spark of what had created the initial idea in the first place.
Mayo highlights folk artists Connie Converse, Bill Fay, and Vashti Bunyan as passengers in the process of Laundromat; artists who put music into the world then disappeared from the public eye. âI wanted to capture the feeling of making music that's out of step with everything around it,â they explain. âI wanted it to be a lot more immediate.â Mayo recorded a lot of Laundromatâs ideas
onto their phone, giving themselves permission to allow those ideas to be the entire song. The enforced length of what a song should beââa neat, 3-minute sellable productââhas always bothered Mayo, and while some of the songs on Laundromat do it around that particular mold, Pickle Darling says the smaller pockets on the album were them striving to create their âown kind of normal.â
