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Ghastly Funeral Theatre
DOUBLE DISC EDITION OF SIGHâS 1997 RELEASE OF ECLECTIC DARK & ATMOSPHERIC METAL, NOW ON PEACEVILLE. WITH NEW AUDIO MASTER, EXTENSIVE EXTRA MATERIAL & BOOKLET CONTAINING AN INTERVIEW WITH MIRAI KAWASHIMA.
Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut âScorn Defeatâ followed on Euronymousâ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the countryâs greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, âShikiâ. 2025 also saw Sigh reimagining their âHangmanâs Hymnâ album for a release on Peaceville as part of the bandâs 35th anniversary celebrations, in the shape of âI Saw The Worldâs End: Hangmanâs Hymn MMXXVâ.
Maintaining the core trio of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami & on the back of the epic & darkly symphonic opus âInfidel Artâ (1995), Sigh adopted a more boundary-defying approach to their writing, whilst still keeping the dark foundations & traits of the bandâs fundamental sound. The result was âGhastly Funeral Theatreâ which surfaced in 1997 & draped in Eastern & horror-based atmospherics, the band also embraced elements outside of metal with what was their most experimental offering to date; utilising instruments such as the saxophone as well as acoustic passages & notoriously drawing comparisons to the moods of bands such as The Beatles at times, featuring catchy hooks & structures in line with the rock music genre, but masterfully woven into Sighâs unique blackened metal tapestry.
Continuing with Peacevilleâs re-issues of Sighâs classic early ( & until now, hard to find) works, this edition of âGhastly Funeral Theatreâ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.
In addition to the original studio tracks, this special double-disc release contains an expansive selection of material from the time, from unreleased mixes of album tracks & rare cover songs, to the inclusion of the very rare âFuneral Theatreâ Promo tape created by Mirai Kawashima in 1995.
The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & inspirations behind âGhastly Funeral Theatreâ.
Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut âScorn Defeatâ followed on Euronymousâ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the countryâs greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, âShikiâ. 2025 also saw Sigh reimagining their âHangmanâs Hymnâ album for a release on Peaceville as part of the bandâs 35th anniversary celebrations, in the shape of âI Saw The Worldâs End: Hangmanâs Hymn MMXXVâ.
Maintaining the core trio of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami & on the back of the epic & darkly symphonic opus âInfidel Artâ (1995), Sigh adopted a more boundary-defying approach to their writing, whilst still keeping the dark foundations & traits of the bandâs fundamental sound. The result was âGhastly Funeral Theatreâ which surfaced in 1997 & draped in Eastern & horror-based atmospherics, the band also embraced elements outside of metal with what was their most experimental offering to date; utilising instruments such as the saxophone as well as acoustic passages & notoriously drawing comparisons to the moods of bands such as The Beatles at times, featuring catchy hooks & structures in line with the rock music genre, but masterfully woven into Sighâs unique blackened metal tapestry.
Continuing with Peacevilleâs re-issues of Sighâs classic early ( & until now, hard to find) works, this edition of âGhastly Funeral Theatreâ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.
In addition to the original studio tracks, this special double-disc release contains an expansive selection of material from the time, from unreleased mixes of album tracks & rare cover songs, to the inclusion of the very rare âFuneral Theatreâ Promo tape created by Mirai Kawashima in 1995.
The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & inspirations behind âGhastly Funeral Theatreâ.
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DOUBLE DISC EDITION OF SIGHâS 1997 RELEASE OF ECLECTIC DARK & ATMOSPHERIC METAL, NOW ON PEACEVILLE. WITH NEW AUDIO MASTER, EXTENSIVE EXTRA MATERIAL & BOOKLET CONTAINING AN INTERVIEW WITH MIRAI KAWASHIMA.
Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut âScorn Defeatâ followed on Euronymousâ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the countryâs greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, âShikiâ. 2025 also saw Sigh reimagining their âHangmanâs Hymnâ album for a release on Peaceville as part of the bandâs 35th anniversary celebrations, in the shape of âI Saw The Worldâs End: Hangmanâs Hymn MMXXVâ.
Maintaining the core trio of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami & on the back of the epic & darkly symphonic opus âInfidel Artâ (1995), Sigh adopted a more boundary-defying approach to their writing, whilst still keeping the dark foundations & traits of the bandâs fundamental sound. The result was âGhastly Funeral Theatreâ which surfaced in 1997 & draped in Eastern & horror-based atmospherics, the band also embraced elements outside of metal with what was their most experimental offering to date; utilising instruments such as the saxophone as well as acoustic passages & notoriously drawing comparisons to the moods of bands such as The Beatles at times, featuring catchy hooks & structures in line with the rock music genre, but masterfully woven into Sighâs unique blackened metal tapestry.
Continuing with Peacevilleâs re-issues of Sighâs classic early ( & until now, hard to find) works, this edition of âGhastly Funeral Theatreâ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.
In addition to the original studio tracks, this special double-disc release contains an expansive selection of material from the time, from unreleased mixes of album tracks & rare cover songs, to the inclusion of the very rare âFuneral Theatreâ Promo tape created by Mirai Kawashima in 1995.
The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & inspirations behind âGhastly Funeral Theatreâ.
Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut âScorn Defeatâ followed on Euronymousâ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the countryâs greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, âShikiâ. 2025 also saw Sigh reimagining their âHangmanâs Hymnâ album for a release on Peaceville as part of the bandâs 35th anniversary celebrations, in the shape of âI Saw The Worldâs End: Hangmanâs Hymn MMXXVâ.
Maintaining the core trio of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami & on the back of the epic & darkly symphonic opus âInfidel Artâ (1995), Sigh adopted a more boundary-defying approach to their writing, whilst still keeping the dark foundations & traits of the bandâs fundamental sound. The result was âGhastly Funeral Theatreâ which surfaced in 1997 & draped in Eastern & horror-based atmospherics, the band also embraced elements outside of metal with what was their most experimental offering to date; utilising instruments such as the saxophone as well as acoustic passages & notoriously drawing comparisons to the moods of bands such as The Beatles at times, featuring catchy hooks & structures in line with the rock music genre, but masterfully woven into Sighâs unique blackened metal tapestry.
Continuing with Peacevilleâs re-issues of Sighâs classic early ( & until now, hard to find) works, this edition of âGhastly Funeral Theatreâ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.
In addition to the original studio tracks, this special double-disc release contains an expansive selection of material from the time, from unreleased mixes of album tracks & rare cover songs, to the inclusion of the very rare âFuneral Theatreâ Promo tape created by Mirai Kawashima in 1995.
The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & inspirations behind âGhastly Funeral Theatreâ.

















