đ Up to 70% Off Selected ItemsShop Sale

Safe In My Garden: American pop in the shadows 1967 - 1972
Peace and love in late 60s America did not come without parallel feelings of fear and confusion about the social situation â specifically about Vietnam. âSafe In My Gardenâ is the latest Ace compilation in an acclaimed series compiled by Bob Stanley â itâs a companion piece to the much-praised âState Of The Union (The American Dream In Crisis 1967 â 1973) Ace CDCHD 1533/XXQLP2 057 2018.
The music on âSafe In My Gardenâ is harmony-laden, beautifully produced soft rock. Sunshine pop, even - a melodic, innovative style of American music that grew in the mid-60s out of the folk and surf scenes, exemplified by the Beach Boys and the Mamas and Papas. You will hear orchestral arrangements, and soft boy-girl vocals. But it wasnât made in isolation from what was going on in the outside world. There are clouds and minor chords, plenty of melancholy in those harmonies.
âSafe In My Gardenâ includes songs of escape (Mark Ericâs âMove With The Dawnâ, the Groopâs âA Famous Mythâ), loss (the Eighth Dayâs âHow Can I Stop Loving Youâ, the New Colony Sixâs âPrairie Greyâ), dreamscapes (Tommy James and the Shondellsâ âSheâ, Nancy Priddyâs âChristina's Worldâ), rebirth (Smokey and his Sisterâs âCreators Of Rainâ), a simpler world (the Free Designâs âMy Brother Woodyâ) and a philosophically sounder future (Chad & Jeremyâs âThe Arkâ, Best of Friendsâ âSummer Soundâ).
It contains some surprisingly dark messages paired with beautiful melodies, as well as songs of hope. Thousands of young musicians in cities, suburbs and small towns across the States from the mid to late 60s spent their mornings hiding from the mailman, dreading the draft. This is the Sound of Young America in the late 60s, keeping its fingers crossed.
The music on âSafe In My Gardenâ is harmony-laden, beautifully produced soft rock. Sunshine pop, even - a melodic, innovative style of American music that grew in the mid-60s out of the folk and surf scenes, exemplified by the Beach Boys and the Mamas and Papas. You will hear orchestral arrangements, and soft boy-girl vocals. But it wasnât made in isolation from what was going on in the outside world. There are clouds and minor chords, plenty of melancholy in those harmonies.
âSafe In My Gardenâ includes songs of escape (Mark Ericâs âMove With The Dawnâ, the Groopâs âA Famous Mythâ), loss (the Eighth Dayâs âHow Can I Stop Loving Youâ, the New Colony Sixâs âPrairie Greyâ), dreamscapes (Tommy James and the Shondellsâ âSheâ, Nancy Priddyâs âChristina's Worldâ), rebirth (Smokey and his Sisterâs âCreators Of Rainâ), a simpler world (the Free Designâs âMy Brother Woodyâ) and a philosophically sounder future (Chad & Jeremyâs âThe Arkâ, Best of Friendsâ âSummer Soundâ).
It contains some surprisingly dark messages paired with beautiful melodies, as well as songs of hope. Thousands of young musicians in cities, suburbs and small towns across the States from the mid to late 60s spent their mornings hiding from the mailman, dreading the draft. This is the Sound of Young America in the late 60s, keeping its fingers crossed.
$6.43
Original: $21.42
-70%Safe In My Garden: American pop in the shadows 1967 - 1972â
$21.42
$6.43Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Peace and love in late 60s America did not come without parallel feelings of fear and confusion about the social situation â specifically about Vietnam. âSafe In My Gardenâ is the latest Ace compilation in an acclaimed series compiled by Bob Stanley â itâs a companion piece to the much-praised âState Of The Union (The American Dream In Crisis 1967 â 1973) Ace CDCHD 1533/XXQLP2 057 2018.
The music on âSafe In My Gardenâ is harmony-laden, beautifully produced soft rock. Sunshine pop, even - a melodic, innovative style of American music that grew in the mid-60s out of the folk and surf scenes, exemplified by the Beach Boys and the Mamas and Papas. You will hear orchestral arrangements, and soft boy-girl vocals. But it wasnât made in isolation from what was going on in the outside world. There are clouds and minor chords, plenty of melancholy in those harmonies.
âSafe In My Gardenâ includes songs of escape (Mark Ericâs âMove With The Dawnâ, the Groopâs âA Famous Mythâ), loss (the Eighth Dayâs âHow Can I Stop Loving Youâ, the New Colony Sixâs âPrairie Greyâ), dreamscapes (Tommy James and the Shondellsâ âSheâ, Nancy Priddyâs âChristina's Worldâ), rebirth (Smokey and his Sisterâs âCreators Of Rainâ), a simpler world (the Free Designâs âMy Brother Woodyâ) and a philosophically sounder future (Chad & Jeremyâs âThe Arkâ, Best of Friendsâ âSummer Soundâ).
It contains some surprisingly dark messages paired with beautiful melodies, as well as songs of hope. Thousands of young musicians in cities, suburbs and small towns across the States from the mid to late 60s spent their mornings hiding from the mailman, dreading the draft. This is the Sound of Young America in the late 60s, keeping its fingers crossed.
The music on âSafe In My Gardenâ is harmony-laden, beautifully produced soft rock. Sunshine pop, even - a melodic, innovative style of American music that grew in the mid-60s out of the folk and surf scenes, exemplified by the Beach Boys and the Mamas and Papas. You will hear orchestral arrangements, and soft boy-girl vocals. But it wasnât made in isolation from what was going on in the outside world. There are clouds and minor chords, plenty of melancholy in those harmonies.
âSafe In My Gardenâ includes songs of escape (Mark Ericâs âMove With The Dawnâ, the Groopâs âA Famous Mythâ), loss (the Eighth Dayâs âHow Can I Stop Loving Youâ, the New Colony Sixâs âPrairie Greyâ), dreamscapes (Tommy James and the Shondellsâ âSheâ, Nancy Priddyâs âChristina's Worldâ), rebirth (Smokey and his Sisterâs âCreators Of Rainâ), a simpler world (the Free Designâs âMy Brother Woodyâ) and a philosophically sounder future (Chad & Jeremyâs âThe Arkâ, Best of Friendsâ âSummer Soundâ).
It contains some surprisingly dark messages paired with beautiful melodies, as well as songs of hope. Thousands of young musicians in cities, suburbs and small towns across the States from the mid to late 60s spent their mornings hiding from the mailman, dreading the draft. This is the Sound of Young America in the late 60s, keeping its fingers crossed.

















