
Willowbank
Few artists find a committed fanbase without having ever played live, but in 2014, Yumi Zouma endeared themselves to listeners before their first band practice. Following a four-song EP that immediately caught peopleâs attention, the actâs inbox filled with requests from publicists and booking agents, long before they saw themselves as a real band. Everything theyâd created had been online, passing files back and forth between Christchurch, Paris and New York.
With Yoncalla, Yumi Zouma took their first steps towards becoming a proper band, collaborating and completing songs together on the road. The result was both cathartic and confessional, winning praise from critics for being âbeautiful but curiously detached,â and âpop that shimmers and grabs you when youâre least expecting it to.â In addition to the albumâs three singles, tracks âYesterdayâ and âText From Swedenâ became fan favourites, helping the Yumis sell out shows in Tokyo, London, Paris and New York. The Yoncalla campaign saw the band tour extensively and begin to hone a live show thatâs become one of their vital assets.
Guitarist, keyboard player and vocalist Josh Burgess says, âit was as though there was a brief pause in all of our lives and we finally felt like a band from New Zealand. We were on home turf and creating from a place that felt fundamentally natural.â That sensation was further underscored by Willowbank âs recording sessions falling over the cherished holiday season, during which the Yumis were surrounded by family. Burgess credits some of the small, often mundane Kiwi traditions of the time for influencing their mindset. âNew Zealand has a distinct feel from Christmas to the end of January. Things shut down. It has a calming presence, itâs very peaceful.â That sense of holiday can be heard on lead single âDecemberâ where the melodies float and stir themselves into a series of swelling refrains that culminate in horns and handclaps. Similarly on âHalf Hourâ, a pensive ballad thatâs imbued with pulsing choruses that seem to signal a spiritual shift taking place in its creators.
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Few artists find a committed fanbase without having ever played live, but in 2014, Yumi Zouma endeared themselves to listeners before their first band practice. Following a four-song EP that immediately caught peopleâs attention, the actâs inbox filled with requests from publicists and booking agents, long before they saw themselves as a real band. Everything theyâd created had been online, passing files back and forth between Christchurch, Paris and New York.
With Yoncalla, Yumi Zouma took their first steps towards becoming a proper band, collaborating and completing songs together on the road. The result was both cathartic and confessional, winning praise from critics for being âbeautiful but curiously detached,â and âpop that shimmers and grabs you when youâre least expecting it to.â In addition to the albumâs three singles, tracks âYesterdayâ and âText From Swedenâ became fan favourites, helping the Yumis sell out shows in Tokyo, London, Paris and New York. The Yoncalla campaign saw the band tour extensively and begin to hone a live show thatâs become one of their vital assets.
Guitarist, keyboard player and vocalist Josh Burgess says, âit was as though there was a brief pause in all of our lives and we finally felt like a band from New Zealand. We were on home turf and creating from a place that felt fundamentally natural.â That sensation was further underscored by Willowbank âs recording sessions falling over the cherished holiday season, during which the Yumis were surrounded by family. Burgess credits some of the small, often mundane Kiwi traditions of the time for influencing their mindset. âNew Zealand has a distinct feel from Christmas to the end of January. Things shut down. It has a calming presence, itâs very peaceful.â That sense of holiday can be heard on lead single âDecemberâ where the melodies float and stir themselves into a series of swelling refrains that culminate in horns and handclaps. Similarly on âHalf Hourâ, a pensive ballad thatâs imbued with pulsing choruses that seem to signal a spiritual shift taking place in its creators.

















