


Physical Graffiti (50th Anniversary Edition Vinyl)
Released on February 24, 1975 in the US (and four days later in the UK), Physical Graffiti immediately achieved platinum sales status and has recently been certified 17x platinum. Its commercial success was equalled by its critical reception.
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Generally regarded as one of the greatest double albums of all time, the original 15 tracks represent a creative tour de force that explores the bandâs dynamic musical range, from the driving rock of âCustard Pieâ to the exotic construction of âKashmirâ and the funky groove of âTrampled Under Foot.â
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âIt goes from one extreme to the other but at the same time, itâs very evident that itâs Zeppelin⊠I love the album and it does work as a double album. There are some real humdinger, roaring tracks.â Robert Plant
Physical Graffiti was comprised of new compositions including âKashmirâ, âSick Againâ, âTen Years Goneâ, âThe Wanton Songâ, âCustard Pieâ, âTrampled Under Footâ and âIn My Time Of Dyingâ, as well as unreleased songs from earlier album sessions: âHouses Of The Holyâ, âThe Roverâ, âBlack Country Womanâ (from Houses Of The Holy sessions), âDown By The Seasideâ, âBoogie With Stuâ, âNight Flightâ (from Untitled, a.k.a. Led Zeppelin IV, sessions), and âBron-Yr-Aurâ (from Led Zeppelin III sessions).
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Jimmy Page began the initial work at his home studio in Plumpton, Sussex, England, in the summer and autumn of 1973, with the first recording sessions taking place that October at Headley Grange, using Ronnie Laneâs Mobile Studio. Further sessions at Headley continued in January 1974. Additional overdubs were recorded at Olympic Studios, where Page completed mixing of the album in July 1974.
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âWe had enough material for one-and-a-half LPs, so I figured, âLetâs put out a double and use some of the material weâd done previously but never releasedâ. I always thought the sequencing of an album was really important and that was part of my role as the producer." Jimmy Page
 Physical Graffiti was not only the bandâs first double LP, it was also the first release on their new label, Swan Song, which launched in May 1974. The albumâs release was announced on November 13, 1974.
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âIâm a big fan of Physical Graffiti. [It] was very wide ranging. It probably was a pinnacle.â John Paul Jones
 Following the 10-week North American tour that ran from January through March, 1975, Led Zeppelin played five sold-out nights at Londonâs Earlâs Court in May, 1975. Initially, three shows were announced, with another two added after the tremendous demand for tickets.
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âOn the last night at Earlâs Court we played âHeartbreakerâ, âBlack Dogâ, and a bit from âOut On The Tilesâ. With the songs from Physical Graffiti weâve got such a wide range of material.â John Bonham
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Description
Released on February 24, 1975 in the US (and four days later in the UK), Physical Graffiti immediately achieved platinum sales status and has recently been certified 17x platinum. Its commercial success was equalled by its critical reception.
Â
Generally regarded as one of the greatest double albums of all time, the original 15 tracks represent a creative tour de force that explores the bandâs dynamic musical range, from the driving rock of âCustard Pieâ to the exotic construction of âKashmirâ and the funky groove of âTrampled Under Foot.â
Â
âIt goes from one extreme to the other but at the same time, itâs very evident that itâs Zeppelin⊠I love the album and it does work as a double album. There are some real humdinger, roaring tracks.â Robert Plant
Physical Graffiti was comprised of new compositions including âKashmirâ, âSick Againâ, âTen Years Goneâ, âThe Wanton Songâ, âCustard Pieâ, âTrampled Under Footâ and âIn My Time Of Dyingâ, as well as unreleased songs from earlier album sessions: âHouses Of The Holyâ, âThe Roverâ, âBlack Country Womanâ (from Houses Of The Holy sessions), âDown By The Seasideâ, âBoogie With Stuâ, âNight Flightâ (from Untitled, a.k.a. Led Zeppelin IV, sessions), and âBron-Yr-Aurâ (from Led Zeppelin III sessions).
Â
Jimmy Page began the initial work at his home studio in Plumpton, Sussex, England, in the summer and autumn of 1973, with the first recording sessions taking place that October at Headley Grange, using Ronnie Laneâs Mobile Studio. Further sessions at Headley continued in January 1974. Additional overdubs were recorded at Olympic Studios, where Page completed mixing of the album in July 1974.
Â
âWe had enough material for one-and-a-half LPs, so I figured, âLetâs put out a double and use some of the material weâd done previously but never releasedâ. I always thought the sequencing of an album was really important and that was part of my role as the producer." Jimmy Page
 Physical Graffiti was not only the bandâs first double LP, it was also the first release on their new label, Swan Song, which launched in May 1974. The albumâs release was announced on November 13, 1974.
Â
âIâm a big fan of Physical Graffiti. [It] was very wide ranging. It probably was a pinnacle.â John Paul Jones
 Following the 10-week North American tour that ran from January through March, 1975, Led Zeppelin played five sold-out nights at Londonâs Earlâs Court in May, 1975. Initially, three shows were announced, with another two added after the tremendous demand for tickets.
Â
âOn the last night at Earlâs Court we played âHeartbreakerâ, âBlack Dogâ, and a bit from âOut On The Tilesâ. With the songs from Physical Graffiti weâve got such a wide range of material.â John Bonham
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