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Swallow (Vinyl)
Ride bassist Steve Queraltâs debut solo album Swallow is a beautifully brooding nine-track collection that combines the darkly textured soundscapes of early M83 and Sigur RĂłs with an electronic sheen reminiscent of Boards Of Canada. It also features guest vocals from Sonic Cathedral labelmate Emma Anderson (formerly of Lush and Sing-Sing) and Verity Susman (Electrelane, MEMORIALS).Swallow has been slowly but surely pieced together between Ride albums and tours over the past five years and, perhaps as a result, has a slightly dystopian, Blade Runner feel that reflects the liminal spaces in which it was created.
Despite the fact that the majority of the album is instrumental, there is plenty of power and emotion poured into these moody, moonlit soundtracks. When words do appear, an underlying anger and political slant emerges and amplifies the albumâs dark intensity. This is most notable on the closing track, âMotor Boatsâ, where he overlays words from Julie Sheldonâs polemic poem The Same Boat (âWeâre all in the same boat they say, but I would disagreeâ). According to Steve, these simple words of rejection âcapture the reality of our times perfectlyâ. However, it was the collaborations with the two guest vocalists that tied the whole thing together and paved the way to the finished album.
âAfter a few false starts, I had started to doubt the project altogether. It was going nowhere,â says Steve. âThen, out of the darkness, Emma got in touch to tell me that sheâd found her voice and could I send her some tracks. A few files back and forth and an afternoon in the studio later and we had âLonely Townâ and âSwiss Airâ.âIn the meantime, Verity from Electrelane had added vocals to the song âMessengersâ and transformed the track. Matthew Simms, now her bandmate in MEMORIALS, would go on to mix the finished album.âSwallow has turned out so much better than I had hoped,â enthuses Steve. âIâd fallen out of love with it so many times I was thinking of calling it Loveless. But then, that wouldnât be the whole story.â
Despite the fact that the majority of the album is instrumental, there is plenty of power and emotion poured into these moody, moonlit soundtracks. When words do appear, an underlying anger and political slant emerges and amplifies the albumâs dark intensity. This is most notable on the closing track, âMotor Boatsâ, where he overlays words from Julie Sheldonâs polemic poem The Same Boat (âWeâre all in the same boat they say, but I would disagreeâ). According to Steve, these simple words of rejection âcapture the reality of our times perfectlyâ. However, it was the collaborations with the two guest vocalists that tied the whole thing together and paved the way to the finished album.
âAfter a few false starts, I had started to doubt the project altogether. It was going nowhere,â says Steve. âThen, out of the darkness, Emma got in touch to tell me that sheâd found her voice and could I send her some tracks. A few files back and forth and an afternoon in the studio later and we had âLonely Townâ and âSwiss Airâ.âIn the meantime, Verity from Electrelane had added vocals to the song âMessengersâ and transformed the track. Matthew Simms, now her bandmate in MEMORIALS, would go on to mix the finished album.âSwallow has turned out so much better than I had hoped,â enthuses Steve. âIâd fallen out of love with it so many times I was thinking of calling it Loveless. But then, that wouldnât be the whole story.â
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Ride bassist Steve Queraltâs debut solo album Swallow is a beautifully brooding nine-track collection that combines the darkly textured soundscapes of early M83 and Sigur RĂłs with an electronic sheen reminiscent of Boards Of Canada. It also features guest vocals from Sonic Cathedral labelmate Emma Anderson (formerly of Lush and Sing-Sing) and Verity Susman (Electrelane, MEMORIALS).Swallow has been slowly but surely pieced together between Ride albums and tours over the past five years and, perhaps as a result, has a slightly dystopian, Blade Runner feel that reflects the liminal spaces in which it was created.
Despite the fact that the majority of the album is instrumental, there is plenty of power and emotion poured into these moody, moonlit soundtracks. When words do appear, an underlying anger and political slant emerges and amplifies the albumâs dark intensity. This is most notable on the closing track, âMotor Boatsâ, where he overlays words from Julie Sheldonâs polemic poem The Same Boat (âWeâre all in the same boat they say, but I would disagreeâ). According to Steve, these simple words of rejection âcapture the reality of our times perfectlyâ. However, it was the collaborations with the two guest vocalists that tied the whole thing together and paved the way to the finished album.
âAfter a few false starts, I had started to doubt the project altogether. It was going nowhere,â says Steve. âThen, out of the darkness, Emma got in touch to tell me that sheâd found her voice and could I send her some tracks. A few files back and forth and an afternoon in the studio later and we had âLonely Townâ and âSwiss Airâ.âIn the meantime, Verity from Electrelane had added vocals to the song âMessengersâ and transformed the track. Matthew Simms, now her bandmate in MEMORIALS, would go on to mix the finished album.âSwallow has turned out so much better than I had hoped,â enthuses Steve. âIâd fallen out of love with it so many times I was thinking of calling it Loveless. But then, that wouldnât be the whole story.â
Despite the fact that the majority of the album is instrumental, there is plenty of power and emotion poured into these moody, moonlit soundtracks. When words do appear, an underlying anger and political slant emerges and amplifies the albumâs dark intensity. This is most notable on the closing track, âMotor Boatsâ, where he overlays words from Julie Sheldonâs polemic poem The Same Boat (âWeâre all in the same boat they say, but I would disagreeâ). According to Steve, these simple words of rejection âcapture the reality of our times perfectlyâ. However, it was the collaborations with the two guest vocalists that tied the whole thing together and paved the way to the finished album.
âAfter a few false starts, I had started to doubt the project altogether. It was going nowhere,â says Steve. âThen, out of the darkness, Emma got in touch to tell me that sheâd found her voice and could I send her some tracks. A few files back and forth and an afternoon in the studio later and we had âLonely Townâ and âSwiss Airâ.âIn the meantime, Verity from Electrelane had added vocals to the song âMessengersâ and transformed the track. Matthew Simms, now her bandmate in MEMORIALS, would go on to mix the finished album.âSwallow has turned out so much better than I had hoped,â enthuses Steve. âIâd fallen out of love with it so many times I was thinking of calling it Loveless. But then, that wouldnât be the whole story.â

















