
Tokyo Pulse 74-88 (vinyl)
JAPANESE FUNK, MODERN AND CITY POP FROM THE TOKYO SCENE 1974-88
SELECTED BY DJ NOTOYA
DJ NOTOYA COMES BACK WITH A NEW SELECTION OF JAPANESE FUNK AND MODERN SOUL AND CITY POP RECORDED BETWEEN 1974 AND 1988 AND FEATURING YUMI MURATA, HIGURASHI, CHIKARA UEDA AND NAMI SHIMADA
Hot on the heels of the Tokyo bliss and Funk Tide sets, Tokyo-based DJ Notoya delivers Tokyo Pulse a new juicy selection of Funk and Modern soul recorded in Tokyo in the 70s and 80s. Most tracks here are making their debut outside of Japan and the album, like its predecessors, has been designed by Manuel Sepulveda (Optigram) and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by Nippon Columbia Records and remastered for vinyl by Colorsound in Paris.
Tokyo Pulseâs lush funk selection open with the nocturnal groove of Naomi Chiakiâs âYoru E Isogu Hito,â
recorded in 1978. The track perfectly sets the mood with its laid-back tempo and late-night atmosphere. From there, Yumi Murataâs âRanhanshaâ (1979) brings a funkier touch, before the mellower funk of L-E-V-E-Lâs âBagdad No Atari Niteâ signals the stylistic shift toward the early 1980s. Side one closes with GAMâs âLake In The Forest,â an elegant reggae-inflected piece from 1980, played by several musicians from the cult Arakawa Band.
Side two opens with a leap into the late 1980s via Nami Shimadaâs âMitsumeteirunoni,â a superb midtempo electro-funk track. This is followed by the earthy folk-soul of Bread & Butterâs âMemory,â originally released in 1974 on Blow Up Records, and featuring a whoâs who of Japanese music, including Haruomi Hosono, Ray Ohara, Tatsuo Hayashi, and Shigeru Suzuki. Keyboardist Minoru Koyamaâs instrumental âAfter Imageâ adds a cinematic, fusion-leaning dimension, while Chikara Ueda & The Power Stationâs âIsland Cuckoo,â released in 1979 on Denon, injects a cool dose of Brazilian-tinged funk energy. The compilation closes with Higurashiâs superb funk-folk track âAnata Wa Doko Ni Irundesuka,â a reflective 1974 recording that brings the journey to a quietly emotional conclusion.
Taken as a whole, Tokyo Pulse offers a vivid snapshot of Tokyoâs evolving groove landscape, embracing a wide diversity of sounds that move fluidly between funk, modern soul, folk, reggae, electro, and jazz-inflected
pop. Carefully curated by DJ Notoya, the album captures the subtle shifts in style, production, and mood that defined nearly fifteen years of Japanese music and stands as a new addition to Wewantsoundsâ ongoing series exploring Japanâs rich musical heritage, reaffirming Tokyoâs place as a city with a uniquely refined and forward-thinking musical pulse.
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JAPANESE FUNK, MODERN AND CITY POP FROM THE TOKYO SCENE 1974-88
SELECTED BY DJ NOTOYA
DJ NOTOYA COMES BACK WITH A NEW SELECTION OF JAPANESE FUNK AND MODERN SOUL AND CITY POP RECORDED BETWEEN 1974 AND 1988 AND FEATURING YUMI MURATA, HIGURASHI, CHIKARA UEDA AND NAMI SHIMADA
Hot on the heels of the Tokyo bliss and Funk Tide sets, Tokyo-based DJ Notoya delivers Tokyo Pulse a new juicy selection of Funk and Modern soul recorded in Tokyo in the 70s and 80s. Most tracks here are making their debut outside of Japan and the album, like its predecessors, has been designed by Manuel Sepulveda (Optigram) and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by Nippon Columbia Records and remastered for vinyl by Colorsound in Paris.
Tokyo Pulseâs lush funk selection open with the nocturnal groove of Naomi Chiakiâs âYoru E Isogu Hito,â
recorded in 1978. The track perfectly sets the mood with its laid-back tempo and late-night atmosphere. From there, Yumi Murataâs âRanhanshaâ (1979) brings a funkier touch, before the mellower funk of L-E-V-E-Lâs âBagdad No Atari Niteâ signals the stylistic shift toward the early 1980s. Side one closes with GAMâs âLake In The Forest,â an elegant reggae-inflected piece from 1980, played by several musicians from the cult Arakawa Band.
Side two opens with a leap into the late 1980s via Nami Shimadaâs âMitsumeteirunoni,â a superb midtempo electro-funk track. This is followed by the earthy folk-soul of Bread & Butterâs âMemory,â originally released in 1974 on Blow Up Records, and featuring a whoâs who of Japanese music, including Haruomi Hosono, Ray Ohara, Tatsuo Hayashi, and Shigeru Suzuki. Keyboardist Minoru Koyamaâs instrumental âAfter Imageâ adds a cinematic, fusion-leaning dimension, while Chikara Ueda & The Power Stationâs âIsland Cuckoo,â released in 1979 on Denon, injects a cool dose of Brazilian-tinged funk energy. The compilation closes with Higurashiâs superb funk-folk track âAnata Wa Doko Ni Irundesuka,â a reflective 1974 recording that brings the journey to a quietly emotional conclusion.
Taken as a whole, Tokyo Pulse offers a vivid snapshot of Tokyoâs evolving groove landscape, embracing a wide diversity of sounds that move fluidly between funk, modern soul, folk, reggae, electro, and jazz-inflected
pop. Carefully curated by DJ Notoya, the album captures the subtle shifts in style, production, and mood that defined nearly fifteen years of Japanese music and stands as a new addition to Wewantsoundsâ ongoing series exploring Japanâs rich musical heritage, reaffirming Tokyoâs place as a city with a uniquely refined and forward-thinking musical pulse.

















